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Renée Green - 10 Artworks, Bio & Shows on Artsy.

Einer Art rotem Faden folgend, der sich durch die meisten ihrer Arbeiten zieht, setzt Green auch in den Media Bichos für das MoMA die Untersuchung von Bezugsräumen und -orten fort, die durchquert und vorübergehend bewohnt werden können – darunter auch der eigene Körper –, sowie der Erfahrungen, die an diesen Orten stattfinden können. Renée Green’s Pacing residency continues with a summer installation of Media Bichos/Wavelinks in CCVA’s Level 1 Gallery space. Designed as viewing stations for the MoMA’s media collection, Media Bichos were conceived as an intermediary modular system that can exist in expandable and contractible forms, functioning as an intermediating. Renée Green, Personal Props, vue de l’exposition Love Supreme, La Criée centre d’art contemporain, Rennes, 2001. production: La Criée centre d’art contemporain, Rennes. In Renée Green’s recent exhibition at Nagel Draxler, a row of twenty-eight small fabric banners hung across two walls facing the gallery’s storefront windows, displaying a mix of.

Other Planes of There immerses the reader in three decades of contemporary art and cultural discourses and illuminates Green’s role in shaping those conversations. Popular culture, sound, cinema, technology, literature, time-based media, and the relationship between art forms and other forms of knowledge are just a few of the matters that. Renée Green explores the capacity of film and video media archives to retain memory and history by combining public and private materials. The project focuses on the year 1970 and includes photographs of the violent events at Kent State University and images taken during the Korean War.

Artists: Roy Arden, Alex Bag, Art Club 2000, Lutz Bacher, Dennis Balk, Bernadette Corporation, J. St. Bernard, Tom Burr, Moyra Davey, Jessica Diamond, Stephan. From MCA Chicago, Renée Green, Space Poem 3 Media Bicho 2012, Polyester nylon and thread; 34 double-sided banners.